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Under construction!
STREUBEL ENTERTAINMENT
Welcome +- Benvingut +- Bienvenido +- Bienvenue +- Velkommen +- Vítejte +-ברוך הבא +-
...The art of mixing money with talent |
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C.C.C.P. ® (since 1984)
www.cccp-american-soviets.com
@
http://www.electric-tremor.org/events/single/id/70
Near Dessau, 90 Min. from Berlin
Friday July, 02, 2010 / Time: 23:30 h - +-00:40h
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C.C.C.P. C.C.C.P. FALCONER (ex THE ORB)
  
  
Top Model, Starring: Jessica Moore & Laura Gemser
BLACK EMMANUELL
  
#Label:
Clockwork ® Records (since 1984), TOP 10 titles
http://www.myspace.com/clockworkrecordsoriginal
http://www.discogs.com/label/Clockwork+Records+%285%29
http://www.discogs.com/label/Clockwork%C2%AE+Records+%2F+RSM%2C+Fox+Records
http://www.techno-wiki.net/Clockwork_Records
www.clockwork-records.net
info@clockwork-records.net
rai@clockwork-records.netA&R/B2B
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#Label:
CMV ® records (since 1991) TOP 10 titles
http://www.myspace.com/cmvrecordslabel
http://www.discogs.com/label/CMV+Records
www.cmv-records.com
info@cmv-records.com
rai@cmv-records.com A&R/B2B
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#News:
CARDIAC CASPER
Screamo/Alternative/Experimental,...
http://www.myspace.com/cardiaccasper
http://www.cardiac-casper.de/
stop+attention+stop+information+stop+attention+stop+
INFO for PRESS, LICENSOR, PUBLISHER, CUSTOMER, CONSUMER ...
CARDIAC CASPER on stage:
After WWW.WACKEN.COM
Pell Mell FESTIVAL Sept. 04, 2010
pell-mell.de
First official album release „RELATED TO THE HEART“ in your country: 2010/11
13 Songs now available as MP3 and CD from the demo album
CARDIAC CASPER- „Citylights take Countrysides“
@ iTunes, Napster, Amazon, Ebay, ...
New label:TRANSHUMANZ records•
www.transhumanz.com
A&R/B2B/Owner: Mr. Rai Streubel (ex SPV, ex Semaphore, ex Zyx-Metallic,...)
PR/Owner: Mr. Manfred Eisenblaetter (ex Metal Hammer, Rocks, Heavy,...)
Published:
Edition AMNESIA / RAI STREUBEL MUSIC PUBLISHING •
www.raistreubel.com
Onlinestore: COLLECTORS HEAVEN•
www.collectors-heaven.de
Digital distribution: FINETUNES DIGITAL MEDIA SERVICES•
www.finetunes.net
Physical distribution: SOULFLAVORS physical distribution•
www.soulflavors.eu
Supported: STREUBEL ENTERTAINMENT•
www.streubel.es
and
YAMAHA
www.yamaha.de
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#News:
C.C.C.P. WAS ON STAGE
in 2010
20 YEARS
AFTER THE LAST SHOW IN
WEST PALM BEACH (FL)
U.S.A.
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"Nuuk" received the
Tiger Cub Award
(best short film)
during the
International
Filmfestival
Rotterdam
2005.
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Tiger Scout Awards
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Thomas Köener
Thomas Koener
Thomas Köner attended the music college in Dortmund and studied electronic music at the CEM-Studio in Arnhem. Until 1994 he worked for the film industry as editor and sound engineer.
He extended his concept of time and sound colour to images, resulting in video installations, photography and net art.
His point of departure was composition of sound in which aspects of a performance and visual language were gradually integrated.
At first in the collaboration with film artist Jürgen Reble and the live performance Alchemie (1992). Following this, he started to compose film soundtracks and music to accompany historic silent films for the Louvre Museum and the Musée d'Orsay, Paris.
2000 the Montreal International Festival New Cinema New Media awarded him
the "New Media Prize".
2004 the Prix Ars Electronica awarded him the "Golden Nica", and he was awarded the "Produktionspreis WDR / Deutscher Klangkunst-Preis" (german sound art award).
His media installation "Suburbs Of The Void" received the Transmediale 2005 award in Berlin and was presented at La Biennale di Venezia, Teatro La Fenice as a live performance in the same year.
Köners video "Nuuk" received the Tiger Cub Award (best short film) during the International Filmfestival Rotterdam 2005.
The Rimbaud Museum commissioned Thomas Köner five permanent sound installations for five rooms of the "Maison Rimbaud" in Charleville-Mezières, France.
Several significant museums acquired his audiovisual works for their collection.
In 2008 he was a participant of the Media Art Biennal in Seoul.
In 2009 he received the MuVi Award (1.prize best german music video) Short Film Festival Oberhausen.
1965 born in Bochum, Germany
1985-1990 studying electronic music at CEM Studio, Arnhem
1987-1992 Conservatory of Music, Dortmund
1992-1994 Avid Operator, cutter- and soundassistant, Ruhr Sound Studios, Dortmund
1995 – working as independant artist with sound, installation, film, photography, music, video, theater and radio art
Permanent installations:
Musée Rimbaud / Maison Rimbaud, Charleville-Mézières
Work in public collections:
Centre Pompidou Musée national d'art moderne Paris, France
Musée d'art contemporain Montreal, Canada
Comunidad Pamplona Collection, Spain
Comunidad Madrid Collection, Spain
Fundacio La Caixa, Barcelona,Spain
Skulpturenmuseum Marl, Germany
F.R.A.C. Limoges, France
Commissioned works:
2010 ISEA Ruhr International Symposium on electronic Art 2010
2009 25th Music Biennale, Zagreb
2007 Centro Atlántico de Arte Moderno, Las Palmas
Metro Santiago de Chile
2004 Musée Rimbaud, Charleville-Mézières
2001 Centre d’art contemporain, Rennes (with yann beauvais)
2000 Hayward Gallery, London (with Max Eastley)
1998 Musée National d'art moderne, Paris (with yann beauvais)
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Pavel Zhagun – is a famous Russian poet, sound and visual artist, composer and producer. Place of residence – Moscow. One of the founders of Russian avant-guarde and experimental electronic stage (projects F.R.U.I.T.S., Atomic Biscuit Orchestra, Joint Committee, PIEZO). The author of the idea and the organizer of annual international festivals of the newest actual poetry and sound-art POETRONICA. In the past – curator of the famous Moscow gallery, which specializes in authentic modern art of the Far East, Zabaykalye and the eastern philosophy. He writes music for cinema and artistic performances and is the participant of many well-known international symposiums and festivals, concerts and actions dedicated to contemporary art.
Elvira Zhagun – art historian, curator of art project, video artist.
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#Label:
RHIZOMATIQUE (since 2010)
http://www.myspace.com/rhizomatique2010
http://www.rhizomatique.com
acs@rhizomatique.com A&R
rai@rhizomatique.com B2B
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Limited Edition CD:
#Label:
TRANSHUMANZ (since 2010)
http://www.myspace.com/transhumanz
www.transhumanz.com
info@transhumanz.com
m.eisenblaetter@transhumanz.com PR
rai@transhumanz.com A&R + B2B
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C.C.C.P. Bizz Circuit V/A- Clicks & Cuts 4Thomas Köener
  
#Label:
*Mille Plateaux Media, (since 2004) OUT OF ORDER
http://www.myspace.com/milleplateauxmediaoriginal
http://www.discogs.com/label/MillePlateauxMedia
http://www.mille-plateaux-media.com
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#Label:
Amnesia (since 1987) TOP 10 titles
http://www.discogs.com/label/Amnesia+Records+%28Germany%29
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#Label:
Zardos (since 1990)
http://www.discogs.com/label/Zardos+Records
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#Label:
C.C.C.P. ® records (since 1984)
http://www.discogs.com/label/CCCP+Records
www.cccp-american-soviets.com
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#Label:
Ninja records (since 1991) TOP 10 title
http://www.discogs.com/label/Ninja+Records
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#Label:
Force Inc. Music Works, Spain (since 2004),
www.streubel.es
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#Label:
High Speed Kindergarten, U.S. (since 1990), …
http://www.discogs.com/label/High+Speed+Kindergarden
www.streubel.com
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SOULFLAVOUR
#Label:
Soulflavour
www.soulflavors.co.uk
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SOULFLAVOURS
#Label:
Soulflavours
www.soulflavors.co.uk
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SOULFLAVOR
#Label:
Soulflavor
www.soulflavors.co.uk
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SOULFLAVORS
#Label:
Soulflavors
www.soulflavors.co.uk
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SOULFLAVORS
distribution
#Physical Distribution:
SOULFLAVORS distribution
Physical +-500 partners/Vinyl, CD, DVD, Books,…: Amazon.com (U.K., Japan, U.S., Canada, France, Germany), SATURN/MEDIA MARKT, EL CORTE INGLES, FNAC, VIRGIN MEGASTORE, HMV (Japan), Juno (U.K.) , Discos Castello (Spain), Revolver (Spain), Forced Exposure ( U.S.), Rubadub.(U.K./ Scottland), Soulflavors (Germany), Nuloop (France),…
www.soulflavors.eu
info@soulflavors.eu
rai@soulflavors.eu B2B
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#Digital Distribution:
FINETUNES
Digital +-300 partners/Downloads: iTunes, Amazon MP3, Beatport, Telefonica, eMusic, Libreka, …
www.finetunes.net
info@finetunes.net
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#Edition (Music)
Amnesia (since 1991)
http://www.myspace.com/streubel
http://www.raistreubel.com
rai@raistreubel.com B2B
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#Edition (Music)
Rhizomatique (since 2010)
http://www.myspace.com/streubel
www.rhizomatique.com
rai@rhizomatique.com
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TEDDY RILEY/G.MARIUS - My body and my soul
Producer of Black Street, Michael Jackson
#Publishing (Music):
R.S.M. Music Publishing (since 1996)
http://www.myspace.com/streubel
http://www.raistreubel.com
rai@raistreubel.com B2B
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#Author, Producer, A&R, B2B,...:
Rasputin Stoy aka Rai Streubel (Music, Literature)
www.soulflavors.co.uk
http://www.discogs.com/artist/Rasputin+Stoy
http://www.discogs.com/artist/Rainer+Streubel
http://www.myspace.com/raistreubel
http://de.youtube.com/raistreubel
www.cccp-american-soviets.com
www.marvin-gardens.eu
raistreubel@hotmail.com
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 release 2009/10 |
^^
( . . )
I
- ( ) -
I I
#Author, Producer, A&R, Graphics, New Media, EDV, ...:
Ninu Neumann aka Nic Newman (Music, Literature,...)
http://www.discogs.com/artist/Nic+Newman
ninu@supralinear.eu
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#Author, Lector, Producer, A&R,..
www.szepanskimedia.com
www.rhizomatique.com
acs@rhizomatique.com
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#Performing Artists:
C.C.C.P. ® (since 1984)
http://www.myspace.com/cccpamericansoviets
http://www.discogs.com/artist/C.C.C.P.
http://www.discogs.com/release/172748
www.cccp-american-soviets.com
info@cccp-american-soviets.com
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 EMI
OUT NOW! 3CD V/A
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Last C.C.C.P. concert show was @ biggest EBM-Festival.
Location: Familientreffen, from 01.-04. Juli 2010
in Sandersleben (Anhalt) Germany.
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#Performing Artists:
Marvin Gardens, (since 1991),…
http://www.myspace.com/marvingardens1991
http://www.discogs.com/artist/Marvin+Gardens
www.marvin-gardens.eu
info@marvin-gardens.eu
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EVERY FRIDAY NIGHT 20ºº - 22ºº UK time (21ºº - 23ºº C.E.T.)
ON WHERE'S THE CULTURE INTERNET RADIO:
DRAGO DEEJAY - HOUSE SESSIONS FROM SPAIN
www.wtchouseradio.com
#DJ, Performing Artist, Architect,..:
http://www.djdrago.net
dragodeejay@hotmail.es
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#Performing Artists:
Tiger B. Smith
Krautrock since 1969
http://www.midilab.de/
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#Performing Artists:
N 678 All (since 1995) TOP 10 title
http://www.discogs.com/artist/N+678
www.raistreubel.com
rai@raistreubel.com
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#Performing Artists:
CARDIAC CASPER
Screamo/Alternative/Experimental,...
See you @ WACKEN 2010
http://www.myspace.com/cardiaccasper
http://www.cardiac-casper.de/
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Thomas Koener; 2004 the Prix Ars Electronica awarded him the "Golden Nica"
The Rimbaud Museum commissioned Thomas Köner five permanent sound installations for five rooms of the "Maison Rimbaud" in Charleville-Mezières, France. And many more...
#Performing Artist/ Multi Media:
Thomas Köner
http://www.myspace.com/thomaskoner
http://www.koener.de/
http://www.thomaskoner.com/
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Pavel Zhagun
#Performing Artist/Multi Media
Pavel Zhagun
http://www.myspace.com/zhagun
xxxxxxxxxxxxxxxxxxxxxxxxxxxx
Pole Position ( english)
Pole Position English Version
Achim Szepanski
A_ The book begins in the middle, just because the end bends back to the beginning. So everything stays in limbo. Or does everything stay like it is? Four girls at the beach bar of a casino at the Pacific Ocean, the escape from Frankfurt has succeeded, Nathalie is “lost”, but Snaffu flew with them. Two more male protagonists, the first person narrator and Mansfield stayed in Frankfurt.
B_ The book does not tell a tale. If it was written to tell a tale, the tale would not be true. Although the book does not contain a grain of truth.
C_ The book takes the reader on a trip to the Bahnhofsviertel & the financial scenery in Frankfurt am Main, to the world of clubs and bars, the offices of Hedgefonsmangers, branches out in lines, records the virtual surroundings (TV, Internet, Casting, etc), plays with the world of illusions of the pole dancers, the call girls, models and barmaids. Opposing them we have the managers, the male guests, artists and pimps. Figures in a micro cosmos, a field that is occupied by sex, love, money and design politics. Perforated, crossed, cavernous. The girls have the same experience. Everything indicates a power game. Five against three.
D_ In a first production step a so called grotesqueness is plotted. The crucial event is an immaterial effect. The main character in the manner of a masochist who cannot resist the infection in this precious repetitive game of staged club visits, must postpone his desire again and again. In a next step, the middle is unfolded, which floats in both directions but mainly forward. Beginning at the exposition farther than the end, towards catharsis. The strangely back winded catharsis is the vanishing of the first person narrator itself in a stream of only self defined intensities. Indeterminable conditions of the carrier follow, euphoria and melancholia. During his ups and downs the carrier is fractionalized but still newly defined. Finally the intensity is taken to be measurable. The carrier vanishes in between the signs, even when the social reality is not only a text. Eventually this three times hardened corpus of text is layed down and alienated in a postmodern milling process.
E_ The book is a rhapsody. Gone the time of realism, deconstruction and crude psychologism. We step into the era of hyperrealism, hyperconstruction and psychotic dream machines. Scenes are cut apart and pasted again, put together with an intentionally polyvoke, sometimes a little abstract language. A language that has to persist over a conjunction of different styles of langugages, slangs, foreign language und discursive fragments. A text develops that continues through inclusions. The
states of the brain (affective & ideal) of the main characters let deduce to a certain production of realness, just because nothing is excluded, just because a so called randbezirke or to speak with Foucault, a heterogeneous space is spied out. The typology of the young girls, philosophical side notes, digression about sex-politics and love/money as well as pieces of multiple linguistic materials cross each other. The main plot lines create different lines of tempo that touch each other or cross in the office and in the Bahnhofsviertel, a grid of repeats and differences. An open whole.
F_ Consequently the text adapts film techniques, cuttings, re-cuttings, complete scenes and details, close-ups und stage directions, to formally lead the plots of the main characters. This process is completed by the use of diverse typographical variations, dense pages und perforated pages, footnotes and striking insertions. At the same time it is made clear that literature can only successively articulate sense and nonsense, meanwhile a movie can refer to different sign-systems and contains sense and opposite-sense simultaneously.
G_ On three levels/threads the male figures (middle aged) are presented. The first person, Mansfield and Snaffu. Each character is associated with an own narration perspective. Styles confront each other in concurrence, like the characters in turbulent circulation. And everything the characters say and do is linked so that a plot results. The three levels/threads are in turn assigned:
desire/wish / extravagance/ love (me)
image/power/sex/money/ financial politics (Mansfeld)
eidetic/schizo/picture policy/body modeling (Snaffu)
All three levels are interconnected by the theme of escape, an idiosyncratic condition of delirium for the three protagonists. Which has more to do with withdrawal or escape, than with “becoming unhinged”. In a hyper-medial system people appear in a borderless pleasure phantasm which is directly connected with the problem of addiction. The characters are sneaking along this line of
danger, if not to say wall: what can be done to stop this escape motion from ending in self destruction, or leading to symptoms of sickness, which in turn also lead to bringing opposing forces into play, against the sucking currents of money/sex and love. At first sight, the characters, particularly the nameless first person, find themselves on an evolutive way. It is the driven, who
feed from the continuous new ingredients of the red light lifestyle industry. Cold money is exchanged for hot currents, sex, affects and emotions, which are lurking around him. Lastly though this way is more an involutional. In the highs and lows of the psychological diagrams there is neither progression nor regression, instead the image of the first person dissolves at the end or
builds itself a new, through strange entwining during the phase of euphoria. The text intentionally allows this ambiguity. Mansfield knows theories, he is no idiot, exactly calculating, but his ideas are mostly infected by the application, the use. He mistreats the I less with research, analysis or similar, but more with success. As a power person he is naturally very inquisitive, very teachable, rapidly out doing his teacher. In him is the emphasis of sadism.
With the help of a method he has developed, a mixture of virtual body sculpturing and plastic surgery, Snaffu prepares young women for their jobs as top models and sex workers. During this, Snaffu meets a designer, who irritates him in his world of body pictures. But it is not this irritation, which pulls him from this job, but rather the bungling of a surgeon, who sets a few wrong cuts
during the incarnation transformation of one of Snaffus video screen creations.
#Edition (Literature)
Rhizomatique, (since 2010),...
www.szepanskimedia.com
www.rhizomatique.com
acs@rhizomatique.com
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DECADANCE CLUB - Spiegel meiner Seele (GERMAN VERSION)
...ist die Autobiografie eines Künstlers, Produzenten, Label-, Verlag- u. Vertriebsbetreibers, Detektiv, Guard, sowie durchgeknallten Lebemanns, Rocker, Kosmopolit, Vater + Tierfreund. Die Story spielt hauptsächlich in den Jahren 1980 und 2010. Der Autor ist in dieser Zeit zwischen 19 und 49 Jahren alt. Sehr unterhaltsam geschrieben sind die
"abgefahrenen" Erlebnisse in der Entertainment- und Rotlichtmilieu- Branche und die zum Teil fast unglaublichen Erlebnisse des Autoren, sowie dessen Veränderung, die auf eine mystische Art stattfindet, deren Wurzeln man in einigen Überlieferungen der Weltreligionen wieder findet.
Die Schauplätze sind überwiegend Europa, die U.S.A. aber auch Hong Kong,Taiwan, Singapur und Japan. Deutschland mit der kosmopolitischen Stadt Frankfurt am Main und die katalanische Provinz Girona stehen jedoch im Vordergrund, von hier geht vieles aus und überwiegend in Deutschland wird das Thema des Antisemitismus bzw. des höchst mainstreamfähigen Antizionismus behandelt. Immer wieder stößt der Autor auf Rassisten, selbst in seiner Familie. Doch eine im Leben des Autors, sehr sehr wichtige Antisemitisch eingestellte Person, wird Zeitzeuge die das Negativ geprägte Halbwissen über Armenier und Juden in Frage stellt...
DECADANCE CLUB - Spiegel meiner Seele
#Edition (Literature)
Streubel, (since 2010),...
http://www.myspace.com/streubel
www.streubel.es
info@streubel.es
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The art of mixing money with talent
#Production:
STREUBEL ENTERTAINMENT (Audio & Video production)
Audio & Video: Techno, Electro, Electronica, House, Minimal, Heavy Metal, Psychedelic Rock, Trip Hop,… (Macintosh, 27" Monitor, Neumann, Aprogee, Yamaha NS 10 & HSM 50, Technics 1210 MK 2, Reloop RP 6000 MK6 LTD,...)
http://de.youtube.com/raistreubel
www.streubel.es
info@streubel.es
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The art of mixing money with talent
#Rights Management:
STREUBEL ENTERTAINMENT
include music/ book plugging and marketing support, product- licensing across the full range of media, as well as transparent and accurate administration of the rights in terms of companies likeGVL, GEMA, ASCAP, BMI, SGAE, SACEM,VG WORT, BILD-KUNST, GÜFA, VFF, GWFF, ADAGP, ALCS, CLA, CEDRO, CCC,...
www.streubel.es
www.raistreubel.com
http://de.youtube.com/raistreubel
info@streubel.es
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The art of mixing money with talent
#Tour- and Event-management:
STREUBEL ENTERTAINMENT
Rhein-Main-Area, Germany & International
www.streubel.es
info@streubel.es
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Collectors-Heaven "onlinestore"
# Onlinestore:
www.collectors-heaven.de
a platform for all people who are looking for something special and/or valuable in music, film, art, literature,… coming soon!
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#Private http://www.myspace.com/raistreubel
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Contact-Imprint
Inhaltlich Verantwortlich : gemäß § 10 Abs. 3 MDStV:
Rai. Streubel
Hans-Thoma-Str. 13 # 010
60596 Frankfurt am Main
Germany
Mobile: +49 (0) 160 920 635 74
Fax: +49 (0) 322 111 865 79
Email: rai@streubel.es
Internet: http://www.streubel.es
________________________________________________
website designed by Rai Streubel - www.streubel.es___________________________________
Haftungsausschluss /Disclaimer
Obwohl bei der Zusammenstellung der Informationen größte
Sorgfalt angewandt wurde, kann der Herausgeber für die
Richtigkeit keine Gewähr übernehmen.
Haftungsansprüche gegen Rai.Streubel und
www.streubel.es, ,welche durch die Nutzung der dargebotenen Informationen verursacht wurden sind grundsätzlich ausgeschlossen.
Urheberrecht / Copyright
Wir sind bestrebt geltende Urheberrechte zu beachten. Sollte es trotzdem zu einer Urheberrechtsverletzung kommen, werden wir das entsprechende Objekt nach Benachrichtigung entfernen bzw.mit dem entsprechenden Urheberrecht kenntlich machen. Das Urheberecht für die eigenen Inhalte steht allein Rai.Streubel / www.streubel.es zu.
Eine Vervielfältigung von Texten in anderen elektronischen oder gedruckten Publikationen ist ohne ausdrückliche schriftliche Zustimmung nicht gestattet.
Rechtswirksamkeit / Law
Sofern Teile oder einzelne Formulierungen dieses Textes der
Rechtslage nicht mehr entsprechen sollten, bleiben die übrigen Teile in Inhalt und Gültigkeit hiervon unberührt.
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