CARDIAC CASPER
Screamo/Alternative/Experimental ...
SUPER POWER PR OF
NU METAL
& WACKEN BAND
CARDIAC CASPER ALBUM
RELATED TO THE HEART
| a Transhumanz records release ... |
Digital distribution:
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@ finetunes (click)
Published by:
| Edition AMNESIA |
STREUBEL MUSIC PUBLISHING
| www.streubel.es |
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Edition AMNESIA and STREUBEL MUSIC:
Welcome
Edition GALAXIA (GEMA)
Edition AMNESIA and STREUBEL MUSIC:
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the Street Rock Band
SHOTGUN EXPRESS
http://de-de.facebook.com/shotgunexpress
a Soulflavour / Streubel Entertainment release ...
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Saal 6
Achim Szepanski
| a Rhizomatique literature release ... |

Pole Position
Achim Szepanski
| a Rhizomatique literature release ... |

Kosmopath
Lichtjahr
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a Clockwork records release ... |

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Kosmopath
Black Aura
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a Clockwork records release ... |

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Tiger B. Smith
Attempt to restore
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a CMV records release ... |

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| a Rhizomatique records release ... |

BUY here! (@ Boomkat/U.K.)

WAS ON STAGE in 2010
20 YEARS AFTER THE LAST SHOW IN
WEST PALM BEACH (FL) U.S.A.
C.C.C.P. ® (since 1984)
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Clockwork®Records (since 1984) Frankfurt/Main
TOP 10

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(since 2005), Frankfurt / Main
––––
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| "Nuuk" received the Tiger Cub Award (best short film) during the International Filmfestival Rotterdam 2005. |
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Tiger Scout Awards |
Thomas Koener
Thomas Koener
Thomas Köner attended the music college in Dortmund and studied electronic music at the CEM-Studio in Arnhem. Until 1994 he worked for the film industry as editor and sound engineer.
He extended his concept of time and sound colour to images, resulting in video installations, photography and net art.
His point of departure was composition of sound in which aspects of a performance and visual language were gradually integrated.
At first in the collaboration with film artist Jürgen Reble and the live performance Alchemie (1992). Following this, he started to compose film soundtracks and music to accompany historic silent films for the Louvre Museum and the Musée d'Orsay, Paris.
2000 the Montreal International Festival New Cinema New Media awarded him
the "New Media Prize".
2004 the Prix Ars Electronica awarded him the "Golden Nica", and he was awarded the "Produktionspreis WDR / Deutscher Klangkunst-Preis" (german sound art award).
His media installation "Suburbs Of The Void" received the Transmediale 2005 award in Berlin and was presented at La Biennale di Venezia, Teatro La Fenice as a live performance in the same year.
Köners video "Nuuk" received the Tiger Cub Award (best short film) during the International Filmfestival Rotterdam 2005.
The Rimbaud Museum commissioned Thomas Köner five permanent sound installations for five rooms of the "Maison Rimbaud" in Charleville-Mezières, France.
Several significant museums acquired his audiovisual works for their collection.
In 2008 he was a participant of the Media Art Biennal in Seoul.
In 2009 he received the MuVi Award (1.prize best german music video) Short Film Festival Oberhausen.
1965 born in Bochum, Germany1985-1990 studying electronic music at CEM Studio, Arnhem
1987-1992 Conservatory of Music, Dortmund
1992-1994 Avid Operator, cutter- and soundassistant, Ruhr Sound Studios, Dortmund
1995 – working as independant artist with sound, installation, film, photography, music, video, theater and radio art
Permanent installations:
Musée Rimbaud / Maison Rimbaud, Charleville-Mézières
Work in public collections:
Centre Pompidou Musée national d'art moderne Paris, France
Musée d'art contemporain Montreal, Canada
Comunidad Pamplona Collection, Spain
Comunidad Madrid Collection, Spain
Fundacio La Caixa, Barcelona,Spain
Skulpturenmuseum Marl, Germany
F.R.A.C. Limoges, France
Commissioned works:
2010 ISEA Ruhr International Symposium on electronic Art 2010
2009 25th Music Biennale, Zagreb
2007 Centro Atlántico de Arte Moderno, Las Palmas
Metro Santiago de Chile
2004 Musée Rimbaud, Charleville-Mézières
2001 Centre d’art contemporain, Rennes (with yann beauvais)
2000 Hayward Gallery, London (with Max Eastley)
1998 Musée National d'art moderne, Paris (with yann beauvais)
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Pavel Zhagun – is a famous Russian poet, sound and visual artist, composer and producer. Place of residence – Moscow. One of the founders of Russian avant-guarde and experimental electronic stage (projects F.R.U.I.T.S., Atomic Biscuit Orchestra, Joint Committee, PIEZO). The author of the idea and the organizer of annual international festivals of the newest actual poetry and sound-art POETRONICA. In the past – curator of the famous Moscow gallery, which specializes in authentic modern art of the Far East, Zabaykalye and the eastern philosophy. He writes music for cinema and artistic performances and is the participant of many well-known international symposiums and festivals, concerts and actions dedicated to contemporary art.
Elvira Zhagun – art historian, curator of art project, video artist.

buy @ MP3:
http://boomkat.com/downloads/329110-pavel-zhagun-artification
RHIZOMATIQUE (since 2010) Frankfurt / Main

Buy @ MP3:
http://www.myspace.com/rhizomatique2010
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TRANSHUMANZ records (since 2010) Frankfurt / Main & Luedenscheid
The aim of label TRANSHUMANZ is to support bands and acts that are DIFFERENT !
The style could be described as dominated by HARDCORE Elements , Synthesizers mostly used for the brides and as an additional element for the melodies mixed with electronic effects !
The voice is used clear or shouted......
or like the descripttion of the first Band released on TRANSHUMANZ records(Cardiac Casper) :
Groovy verses with a brilliant voice meet catchy chorus, screaming rhythm, shouts
and synthetic Electroparts.
The Bands and their sound is more known in the Alternativ-Scene than in the Techno-Scene but we HATE expressions like (Nu Metal), Screamo, Trancecore, Metalcore, Experimental, Emo.....
.....
New Album:
(MP3):

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Limited Edition (CD/MP3):
Buy @ MP3:
http://de.7digital.com/artists/cardiac-casper/related-to-the-heart?partner=824
or
or...
http://www.myspace.com/transhumanz
pat@transhumanz.com New Media
m.eisenblaetter@transhumanz.com PR
rai@transhumanz.com A&R + B2B
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C.C.C.P. Bizz Circuit V/A- Clicks & Cuts 4Thomas Köener
*Mille Plateaux Media (since 2004) Girona OUT OF ORDER
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http://www.discogs.com/label/MillePlateauxMedia
http://www.mille-plateaux-media.com
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Ninja records (since 1991) TOP 10 title Wiesbaden-Frankfurt /Main
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Soulflavours Frankfurt / Main
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SOULFLAVOUR
Soulflavour Frankfurt / Main
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SOULFLAVOR
Soulflavor Frankfurt / Main
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SOULFLAVORS
Soulflavors Frankfurt / Main
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distribution
SOULFLAVORS distribution Frankfurt / Main
Physical +-500 partners/Vinyl, CD, DVD, Books,…: Amazon.com (U.K., Japan, U.S., Canada, France, Germany), SATURN/MEDIA MARKT, EL CORTE INGLES, FNAC, VIRGIN MEGASTORE, HMV (Japan), Juno (U.K.) , Discos Castello (Spain), Revolver (Spain), Forced Exposure ( U.S.), Rubadub.(U.K./ Scottland), Soulflavors (Germany), Nuloop (France),…
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2 Min. und 31 Sek. - 23. Aug. 2006
Watch the trailer for The Rock's new movie "Gridiron Gang."
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http://www.streubel.es
rai@streubel.es B2B
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Rhizomatique (since 2010) Frankfurt/Main
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TEDDY RILEY/G.MARIUS - My body and my soul
Producer of Black Street, Michael Jackson
#Publishing (Music):
STREUBEL MUSIC Publishing (since 1996) BERLIN
http://www.myspace.com/streubel
http://www.streubel.es
rai@streubel.es B2B
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#Author, Producer, A&R, B2B,...:
Rasputin Stoy aka Rai Streubel (Music, Literature) FRANKFURT /GIRONA
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raistreubel@hotmail.com
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http://www.discogs.com/artist/C.C.C.P.
Last C.C.C.P. concert show was @ Europe's biggest EBM-Festival. Location: Familientreffen, from 01.-04. Juli 2010 in Sandersleben (Anhalt) Germany.
############################ Marvin Gardens, (since 1991),… Frankfurt / Main
http://www.myspace.com/marvingardens1991 http://www.discogs.com/artist/Marvin+Gardens ############################ #DJ, Performing Artist, Architect ,..: DENIA EVERY FRIDAY NIGHT 20ºº - 22ºº UK time (21ºº - 23ºº C.E.T.) ON WHERE'S THE CULTURE INTERNET RADIO: DRAGO DEEJAY - HOUSE SESSIONS FROM SPAIN dragodeejay@hotmail.es ############################ Krautrock since 1969 ############################ N 678 All (since 1995) TOP 10 title Frankfurt / Main
http://www.discogs.com/artist/N+678 ############################
Pavel Zhagun
EDITION (LITERATURE)
Streubel, (since 2010),... Frankfurt am Main http://www.myspace.com/streubel ############################ Pole Position ( english)Pole Position English Version
Achim Szepanski A_ The book begins in the middle, just because the end bends back to the beginning. So everything stays in limbo. Or does everything stay like it is? Four girls at the beach bar of a casino at the Pacific Ocean, the escape from Frankfurt has succeeded, Nathalie is “lost”, but Snaffu flew with them. Two more male protagonists, the first person narrator and Mansfield stayed in Frankfurt. B_ The book does not tell a tale. If it was written to tell a tale, the tale would not be true. Although the book does not contain a grain of truth. C_ The book takes the reader on a trip to the Bahnhofsviertel & the financial scenery in Frankfurt am Main, to the world of clubs and bars, the offices of Hedgefonsmangers, branches out in lines, records the virtual surroundings (TV, Internet, Casting, etc), plays with the world of illusions of the pole dancers, the call girls, models and barmaids. Opposing them we have the managers, the male guests, artists and pimps. Figures in a micro cosmos, a field that is occupied by sex, love, money and design politics. Perforated, crossed, cavernous. The girls have the same experience. Everything indicates a power game. Five against three. D_ In a first production step a so called grotesqueness is plotted. The crucial event is an immaterial effect. The main character in the manner of a masochist who cannot resist the infection in this precious repetitive game of staged club visits, must postpone his desire again and again. In a next step, the middle is unfolded, which floats in both directions but mainly forward. Beginning at the exposition farther than the end, towards catharsis. The strangely back winded catharsis is the vanishing of the first person narrator itself in a stream of only self defined intensities. Indeterminable conditions of the carrier follow, euphoria and melancholia. During his ups and downs the carrier is fractionalized but still newly defined. Finally the intensity is taken to be measurable. The carrier vanishes in between the signs, even when the social reality is not only a text. Eventually this three times hardened corpus of text is layed down and alienated in a postmodern milling process. E_ The book is a rhapsody. Gone the time of realism, deconstruction and crude psychologism. We step into the era of hyperrealism, hyperconstruction and psychotic dream machines. Scenes are cut apart and pasted again, put together with an intentionally polyvoke, sometimes a little abstract language. A language that has to persist over a conjunction of different styles of langugages, slangs, foreign language und discursive fragments. A text develops that continues through inclusions. The states of the brain (affective & ideal) of the main characters let deduce to a certain production of realness, just because nothing is excluded, just because a so called randbezirke or to speak with Foucault, a heterogeneous space is spied out. The typology of the young girls, philosophical side notes, digression about sex-politics and love/money as well as pieces of multiple linguistic materials cross each other. The main plot lines create different lines of tempo that touch each other or cross in the office and in the Bahnhofsviertel, a grid of repeats and differences. An open whole. F_ Consequently the text adapts film techniques, cuttings, re-cuttings, complete scenes and details, close-ups und stage directions, to formally lead the plots of the main characters. This process is completed by the use of diverse typographical variations, dense pages und perforated pages, footnotes and striking insertions. At the same time it is made clear that literature can only successively articulate sense and nonsense, meanwhile a movie can refer to different sign-systems and contains sense and opposite-sense simultaneously. G_ On three levels/threads the male figures (middle aged) are presented. The first person, Mansfield and Snaffu. Each character is associated with an own narration perspective. Styles confront each other in concurrence, like the characters in turbulent circulation. And everything the characters say and do is linked so that a plot results. The three levels/threads are in turn assigned: desire/wish / extravagance/ love (me) image/power/sex/money/ financial politics (Mansfeld) eidetic/schizo/picture policy/body modeling (Snaffu) All three levels are interconnected by the theme of escape, an idiosyncratic condition of delirium for the three protagonists. Which has more to do with withdrawal or escape, than with “becoming unhinged”. In a hyper-medial system people appear in a borderless pleasure phantasm which is directly connected with the problem of addiction. The characters are sneaking along this line of danger, if not to say wall: what can be done to stop this escape motion from ending in self destruction, or leading to symptoms of sickness, which in turn also lead to bringing opposing forces into play, against the sucking currents of money/sex and love. At first sight, the characters, particularly the nameless first person, find themselves on an evolutive way. It is the driven, who feed from the continuous new ingredients of the red light lifestyle industry. Cold money is exchanged for hot currents, sex, affects and emotions, which are lurking around him. Lastly though this way is more an involutional. In the highs and lows of the psychological diagrams there is neither progression nor regression, instead the image of the first person dissolves at the end or builds itself a new, through strange entwining during the phase of euphoria. The text intentionally allows this ambiguity. Mansfield knows theories, he is no idiot, exactly calculating, but his ideas are mostly infected by the application, the use. He mistreats the I less with research, analysis or similar, but more with success. As a power person he is naturally very inquisitive, very teachable, rapidly out doing his teacher. In him is the emphasis of sadism. With the help of a method he has developed, a mixture of virtual body sculpturing and plastic surgery, Snaffu prepares young women for their jobs as top models and sex workers. During this, Snaffu meets a designer, who irritates him in his world of body pictures. But it is not this irritation, which pulls him from this job, but rather the bungling of a surgeon, who sets a few wrong cuts during the incarnation transformation of one of Snaffus video screen creations. #Edition Rhizomatique (Literature) Frankfurt am Main ############################ The art of mixing money with talent #Production: STREUBEL ENTERTAINMENT (Audio & Video production) Frankfurt / Main Audio & Video:Techno, Electro, Electronica, House, Minimal, Heavy Metal, Psychedelic Rock, Trip Hop,… (Macintosh, 27" Monitor, Neumann, Aprogee, Yamaha NS 10 & HSM 50, Technics 1210 MK 2, Reloop RP 6000 MK6 LTD,...) ############################
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